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Stars lived

Super Reading book "Messier Catalog" of the wise JLComellas, Sirius Publishing Group, 4 th ed. (2008) I am in the introduction to a curious phrase:

"Almost all the great astronomers were long-lived."

And it made me think.

Is it true? Do you have something to do with the longevity to the practice of astronomy? Astronomy practice generates a lot of joy that few can appreciate (depression), is the slow and deliberate observation of the sky (torticollis), the sacrifice of sleep after a comet or a nebula and the watchful eye of an eclipse (alteration of the sleep waking, anger, tendency to officials in) and inherent dismissal and insurance trip looking at the sky (multiple fractures). Skip long cold winter nights (with orange and brandy, as I said Góngora), shivering and with dilated pupils digging the eyepiece of the telescope in the cornea ...

Now, I do not think this is very long-lived. And never mind if you dedicate yourself to smoke a pipe as Edwin Hubble or brown lees as Giordano Bruno (I did roast) or Galileo Galilei (confined at home) and run into the Church.

So I began to calculate:

Astronomer	Age
Aristarchus Samos	80
Hipparchus of Nicaea	70
Ptolemy	70
J. Kepler	59
T. Brahe	65
G. Galilei	78
G. Cassini	87
I. Newton	84
J. Oort	92
N. Copernicus	70
J. Hevelius	75
E. Halley	86
W. Herschel	83
J. Herschel	79
G. Lemâitre	72
C. Messier	87
H. Leavitt	53
E. Hubble	64
C.Sagan	66
S. Chandrasekhar	85
E. Hertzsprung	94

(I hope you ring a few names, though not chronologically)

The list is far less rigorous, but I mean comes 76 years and two months.

Indeed, what we mean by longevity? (Human standards)

- Mr. DRAE:

longevity goes.
(Del lat. Longaevus, long life).
1. adj. Very old or long age.

- Ms. Maria Moliner:

-lived-a (the lat. "Longaevus" cult.)
adj. It applies to the person who has reached old age. * Old.

Come on, nobody dares to give a number to be that of longevity. A turtle is long-lived mayfly water but also can be, depends on who's compare. A tax inspector to reach fifty years of age I seem disgustingly longevity given the work that *.

Could it be that JLComellas feeling betrayed him and he thinks being an astronomer's life would be a long, fruitful and happy? Has not made the mistake of focusing on the great astronomers, chosen at random, or chosen unconsciously, lived well?

I go 76 years and beak, as is the patio, not bad. According to M. would-probably-three-quarters of life.

If anything I say would be long or short-lived your life, never neglect that you can always observe the Messier Catalog objects, gifts immortal in the sky.

* I'll go to hell for this, but I hope to one floor above the Inspectors.

Miniature Ableskiver Pan

+ DE 1001 FILMS: 1093 - Jeder für sich Gott gegen alle und

The May 26, 1828 appeared in a square Nümberg a scruffy-looking young man in his hand a letter indicating their abandonment and subsequent concealment of the rescuer, the author himself in the peculiar tale, a large family farmer. Once verified the mental retardation of the wild, barely grunting or he could write his assumed name, Kaspar Hauser, the deprivation of any form of social relationship, therefore the most basic of emotions, as he had been in captivity for most of his life, he speculated, much of his time, whether it has remained hidden because the illegitimate son of Napoleon, owned by the maternal to the dynasty of Baden. However before we can certify the origin of appeared, if the hypocritical bourgeoisie had created a monster show, which brands of vaccines in the arms and childhood memories of palaces and classical music, Kaspar is in charge of food, found his mortally wounded body. Self-mutilation or murder, the case is that the legend of Kaspar Hauser has kept its appeal to today and Werner Herzog served as an excuse to chisel another masterpiece in a career without parallel in the so-called New German Cinema.
Jeder für sich und Gott gegen alle (The Enigma of Caspar Hauser, 1974), a title that literally can be translated as "Every man for himself and God against all", which was revealed to the author by a the comedic character Mancunaíma (1969), Joaquin Pedro de Andrade, refers to the chronicle, as is customary in Germany when away from their loved Klaus Kinski with intimacy, without histrionics or fireworks, with an almost testimonial, though full of doubts and questions unresolved, no definitive conclusions. You can also say that part of the gallery of unique characters of flesh and bone in most, tragic and abrupt end, wrapped in a landscape full of indecipherable signals that seems to conspire with its quiet beauty is that is all Herzog specialist, among whose names we find the conquistador Lope de Aguirre, the strong Zisha Breitbart, the soldier Franz Woyczek, the immigrant or green Stroszek admirer of Timothy Treadwell grizzlies, all unforgettable.
And to achieve our hypnosis during the screening, Herzog has the background fields and a Bavarian actor, Bruno S., himself a child abandoned by his prostitute mother at the age of 3 years, a regular of mental hospitals for decades, with the ability hearing impaired, an actor with whom the author developed a close relationship, always covered with the shadow of the use poorly paid even affect, and that they would cooperate in the final sequence of the film more disturbing - Stroszek (1977) , of course: a van without a driver turns on in flames in a parking lot outside while a man walks into a lift with a loaded shotgun in his hands and some farm animals frenzied dance and play music in a glass cage, an unforgettable man who ended his days as a street accordionist.
Halfway real life and film, the Victor of Truffaut in Le sauvaqe enfant (The Wild Child, 1960)-another case of occurrence of a misfit in the streets of a city, a fact that may seem impossible has occurred several times in the past centuries and often ask the question of deception, the truth of living away, or abducted, for years, or Lynchian John Merrick The Elephant Man (The Elephant Man, 1980 )-Kaspar Hauser was also exhibited in a sideshow and reviewed on behalf of science, Jeder für sich und Gott gegen alle is the demonstration of the impossibility of living without affection, without light or voices, and how man can overcome the greatest of horrors. Evidence produced here in the represented and representative actor, who never dissociates much the photograph recede. Experiment
antisocial, the Tsar himself wanted to know what language they spoke a newborn if it is not taught nor heard any expression or imprisonment, rape, unexpected end, the point is that found sanity, "rescued?, A a child of madness, traveler of times past, immortalized on the screen. For if Stroszek ends with genius, here, if you open with a mysterious boat trip to the accompaniment of Tamino's aria in The Magic Flute , Mozart, and move to a cornfield that sways under the Canon Pachelbel is not the best and only way to begin the story of a wounded soul, is because we have not found the body of Bruno Hauser tied to a ring, relieved of his injuries.

Jeder für sich und Gott gegen alle
(The Enigma of Caspar Hauser, 1974)

In the book 1001 movies you must see before you die (Editorial Grijalbo) details 4 titles W. Herzog: Aguirre, der Zorn Gottes (Aguirre, the Wrath of God, 1972); Stroszek (1977) *; Nosferatu: Phantom der Nacht (Nosferatu, Vampire Night, 1979) and Fitzcarraldo (1982 ).
* In the book appears with the Castilian title of The Ballad of Bruno S.

Become A Third Party Processor

UNDIGNIFIED

Stéphane Hessel, born in autumn 1917 in Berlin, was installed seven years with his wealthy Jewish family in Paris and has served in various departments of the French diplomatic corps. Arrested for espionage by the Gestapo in 1944, escaped certain death in the Buchenwald concentration camp and was caught, and fled in a couple of occasions during the WWII. He was a member of the team writing the Universal Declaration of Human Rights, explanatory document adopted by the General Assembly of the United Nations in 1948, which reached notoriety. In 2009, on the occasion of the rally organized by the collective citizen resistants Citoyens d'hier et d'aujourd'hui (Citizens Resistant Yesterday and Today), Hessel recalled that the reason that led the resistance movement was the outrage, and urged those gathered to look for their particular reasons for anger. In 2010, he signed a short text, with the slogan Indignez-vous! on the cover, which includes some of the ideas presented there and at the price of 3 € rápidamenete reaches one million copies sold, which was published in Spain under the title ! Outraged!
That a man who haunts the century, close to ideal Hegel and Walter Benjamin, published a book of 30 pages in which invited rebellion for reflection shows several things. On the one hand, no more speech than there is enclosed, or extent or more, making the maximum of Baltasar Gracian about the brevity of the things called into question, because however admirable it may seem your point of view on the pacifism, the silent revolution, the Gaza Strip, pensions, does not dwell on it, at least away from the television cameras, the sets in which the Gauls he interviewed and asked to take part in bitter debates. In addition, there is not much room for the youthful expressions, or those unable to be noted, as much as you ponder the role of social networks today, they prevail in the slogan, the occurrence in two sentences, complacency, making the libraries, the media on paper, continue to enjoy great prestige, which continues to be unfair and admirable, in a dangerous power, influence, even on other groups of globalized mass media .
loving us is therefore to ascribe to the appeal, the Indignaos! , "An allegation against indifference and for the peaceful uprising" signed by Hessel, who is left of reasons, motivations, values, comes short of grip, weight, subjunctive sentences and pictures that illustrate the album of intransigence . Although the term commences speed events (tremble Burmese, Portugal crumbles, the unemployed English, still tend to be the future in the attempt, Tunisian women claim the hijab regardless of their right to cover for aesthetics, tradition or respect for God, gives a repressive instrument to patriarchal societies, putting his pleasure at the suffering of others, Moody's continues its sales period, nuclear plants do not touch except light ...), hoses own fighters flying over Libya for the sake of freedom, not barrels of oil that promised to buy Asian newly raised bright coin of the realm, who has time to delve into anything that does not guarantee its survival?
And they are fast times, feverish and confused these that lead me to wonder if the 2 € extra cost to book on the south side of the Pyrenees, are paying the translator, Telmo Moreno Lanaspa, and the prologue, a brilliant, once again, José Luis Sampedro is in addition to Gandhi-forgetfulness of bulk-to the names of Martin Luther King and Mandela to putting Hessel sample, or the price of knowledge for these payments, exclusivity know. Although I must say that despite its brevity is it and how little time readable and lucid of the Crisis. Or perhaps you are accustomed to read and think, with weighty tomes and ask more of a philosophy that just is not ha.

Stéphane Hessel

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FAREWELL TO LIZ TAYLOR

I've always known that I'm ruled by my passions.

Elizabeth Rosemond Taylor (London, 1932 - Los Angeles, 2011)

Anorexanorexia Before And After

+ DE 1001 FILMS: 1092 - A Bronx Tale

Meble Dab Szafa Narożna

not matter now crisis European lack of leadership praised Obama, who contested to daily to keep his ex that precedes the title of President Earthman, yelling in the square of the Pearl of al-Manamah, the United Nations impassivity to the low flights of al-Gaddafi the price of gasoline, court rulings condemning a sovereign state to pay for an excessive protectionism for their King, the lava of Kilauea, little, almost nothing matters. Today everything revolves around Nippon-koku, the country that we call Japan. And it is not so fixed in the rule of Akihito, to follow its logical progression of things, the protocol funeral of a devastating earthquake that crippled the electrical components of the nuclear plant located in Fukushima, northeast of Honshu Island, the most extensive of the 6,852 that make up the archipelago through which the sun rises each day, resulting in a ten-meter waves fiercely that damaged emergency generators in not possible to cool the reactors, radiation stop triggered by the merger, the Asian continent will relocate to the island beyond the 2.4 meter approached its shores. They and the foreign trade with the new and cumbersome adjustment of gepeese and atlases, such encyclopedic books that, among the mess of flags and frontiers of the late twentieth century and the subsequent arrival of Google Maps, and anyone browsing.
are days when every journalist in the world speak of fission, radioactivity, waste and the release of cesium as if they were experts, demonstrating their ability to learn, (yesterday were tsunami experts and collisions of tectonic plates, yesterday in subprime and housing bubbles: how much wisdom), his extensive vocabulary, which update without falling into clichés and influence in the speech of the streets: no one today says tsunami or even wrong. There are days when, if events are not pisasen, deserves a separate chapter the study of service we provide geophysicists, seismologists, who more than matched what he knew any elementary school student in front of your television: that followed by a wave shake so hard to stop as unpredictable. And rumor is that if the wave is part of the lives of any island in Japan always lived culture steeped in its salt: the pages of Yukio Mishima or traditional prints, with the first and most famous of Thirty-six Views of Mount Fuji of Katsushika Hokusai, I refer. There are days when you evaluate the material and human losses, with snow falling outside the pain and shock, in which no one remembers that Japan has already written this chapter in its history, childish, somewhat exaggerated, true, and that called Godzilla.
No offense or any frivolity, explain that Godzilla (the name comes from the combination of gorira (gorilla) and Kujira (whale): Gojira in the original) was a frozen dinosaur who suffered alterations by nuclear tests and was driven to a deserted island where a submarine it radiated to kill him, creating a totally opposite effect: growing twice in size, and to the same extent in strength and endurance. And although sometimes the people defending Japan from attack invaders, or alien to us, or became a fighter against monsters of similar size, often causing panic to the people defenseless and stunned. Metaphor of the atomic explosions over Hiroshima and Nahasaki 1945, the figure of Godzilla out of the water made it clear his message as well as ecological and terrified fun in the cinema halfway around the world, and despite losing some of the films in the series, once in a while back, reborn. As the panic nuclear, holocaust radioactive shade of the fungus with which we have lived, live, a fear that we had become accustomed, that we did not more important than the outcome of a game of pool with friends, forgetting that city ghost is Chornobyl. "
And unless anyone doing otherwise, the dread a shower of iodine and death, remain - latent or kicking? - For many more years to speed the world turns and as much as the earthquakes that occurred the great wave also shifts the Earth's axis and the day has been shortened 1.6 millionths of a second-less evil than the North Pole melting compensate for the phenomenon, nobody can stop it shows progress, industrial development based on current energy. That's because they do not put things in the hands of banks and their henchmen: they have shown they are able to stop short the lives of millions of citizens just by typing a series of numbers in a low basis weight papers. What would do if they plan a future dejasen green and ecological resources to manage their innate ability, capacity only at the level of the announcers, the commentators who advocate nuclear power plants to which venture to say that is the end of globalization, which they begin to dwindle products that come from there, they will better understand the dispersal of plants is the greatest guarantee of the First World amenities. This
2011, with only two and a half months of life, is far exceeding the expectations of those who said, we said, that the world as it was not going anywhere, it was not possible. But we must recognize that changes, and the ways in which they occur, are not similar to the dream, neither saw the wave coming and we can not anticipate how the wind blows. Just know that Japan has shown throughout its history to overcome major disasters. But now appears a beast that teaches six tusks full of venom and rage.

The Great Wave of Kanagawa, Hokusai

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+ THE GREAT WAVE OF 1001 FILMS: 1091 - Un coeur en hiver

Every time the film has portrayed ado the earthly existence of a composer or performer, fictional or real, it has penetrated into the inner world the protagonist, usually crooked and dark. Thus, the combination of talent and tenacity is often laced with anger attacks, panic, pure and simple madness or folly. Many times, therefore, the music was merely a counterpoint to the chaos of life. And often grates on the screen too much ups and downs of living score. In any case, once at least, the world of letters, essays genius and found the right speed, the tempo required. It was thanks to the good smell of Claude Sautet reader and a couple of players who matched the third time on the screen and enjoying a satisfying marriage sentimental in real life: the beauty of body and soul Emmanuelle Béart and very reliable, and envied, Daniel Auteuil. And while the film in question, Un coeur en hiver (A Heart in Winter, 1992), was not far from a biopic to use, but a violin passage with background, the rest of the plot, social conventions and euthanasia included, was relegated to the background, before the power of suggestion and seduction of the music that the actress was born in Saint-Tropez.
Un coeur en hiver is an endeavor of passion and frustration that both can be a parent with the romanticism of Lermontov, from which comes the main actor of the plot, as with the dangerous letters of wax or the brief marriage Countess of Torlato-Favrini, the hapless dancer who remained carved in marble, barefoot and with the body of Ava Gardner. Is the risk of distraction in which Stéphane (D. Auteuil) is presented as a luthier specializes in violins who works and sleeps in the studio of his friend, and almost partner, Maxime (André Dussollier), womanizer that in the young Camille Kessler (E. Béart), a musician with a promising future, the ultimate lover. Stéphane, who leads a routine life, rather quiet and comfortable, which makes their relationship with the bookstore Hélène (Élizabeth Bourgine) does not get worse, suddenly gets involved without being aware of and all the consequences in a game of seduction with fragile Camille and object of desire. The lack of feelings of vulnerability or of great harm suffered in childhood led him to not take the step to cross the bridge of sexual love, but not prevent it from crossing the brotherly love, which takes you to the old professor ( Jean-Claude Bouillaud), his mentor, perhaps the only one who truly understands him, and who will help meet a heavy desire.
split personality, or ancillary characters, the margin-Maxime and Stephane, angels of the same God who comforts and takes life by the men's side, the Camille candid with the woman who cares for her career, Regine (Brigitte Catillon) her friend ... "frustrated, jealous? On the professional side, in the sentimental?, By the female- Un coeur en hiver is a charming story of affinities and Claude Sautet impossibilities could shoot through the serenity and clarity that give the years. Looking scenes profile test or recording in the studio, where you can admire the learning task for more than half a year occupied Emmanuelle Béart in order to simulate their expertise to the interpretation of Ravel, away from the action the guest who comes at night and discover the discomfort of surprise, Sautet, never ends up showing if Stéphane is a dreamer, a platonic love, a coward who does not allow a victory off the paddle, an alexithymic or incompetent. Ambiguity or perhaps they did not know the director, or the craftsman who persevered in the work, the perfect disguise loneliness.
Being told from the point of view of Stéphane, indication is made at the beginning of the film but that fades as the story progresses, it is difficult to imagine the effort it would cost to assemble each of the episodes of history , a much more than adjust the eighty pieces of wood of the instrument he loved tension. On the whole chapter of alienated passionate outburst Camille gets the urge, humiliating and public, to weigh the attributes of a man who never will be for her physical test done after face paints and distorted in order to understand the origin of contempt suffers his body, his intelligence, his commitment. Although you have given way to familiarity for a short period, the wound was deep, for love not consummated, the quiet, often leads to eternal reminder.
Subtle, elegant, flawless, sublime, Un coeur en hiver showed the great moment in French cinema, the most important European film archives of those days and the final ascent to the altar Emmanuelle moviegoers. Also, ice cream and bittersweet. As the film Farewell Sautet: Nelly et Monsieur Arnaud (Nelly and Mr. Arnaud, 1995), another unforgettable title, again with the same actress in the center of an impossible relationship similar end: the heroin lost, is lost in the crowd.

Un coeur en hiver (A Heart in Winter, 1992)

In the book 1001 movies you must to do before you die (Editorial Grijalbo) no details titles C. Sautet.

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WAITING FOR SPRING 1001

Within days of spring arrive. And she and the inhumane handling of the clocks, the supreme act of deification in memory of an oil crisis almost forty years ago, the evening will be longer and sunrises late riser, the time will be casting off of coats, sweaters, scarves, and, inadvertently, to jackets and windbreakers, leaving the blouses and shirts to the elbows. But as if just born this 2011 came into effect banning smoking in bars and other places, people put on a wool cap and gloves and sat smoking on the terraces, the owners of the establishments were conditioned with blankets , butane stoves, tents, not so much for the comfort of the client and the fear of having to change careers - what? -. Anything rather than take the cup or soda at home. It
healthy exercise to see who sits on each terrace, what kind of people, which organic group is accommodated in each chair. Thus, in the cafeterias of the neighborhoods are often the same neighbors who take their seat and talk every day, those who talk more than listen, because you always penalties are more severe than the other. But in the inner cities of the busiest squares, traditionally the most expensive, customers are usually people passing, unusual. That's how you discover that social classes are in full period of differentiation and distance. It costs little to distinguish the official release that between buying technology and custom perfumes, take a breather to the widow who lives in the area and returning from a visit to his ophthalmologist the whole life, the retired military officer and woman who come to airing, a good woman married to a college friend you trust your fears, the group of peers who drink celebrating how well they plan layout of the report as good dividends allowed to travel back to the Caribbean, the idle with gray hair and mumbles pride that young people, as before, and old, now, that what little education is in the streets today, what little civility and prettiest girls that seem all journal, magazine of the past, on the music, the spicy.
At these meetings, served by waiter colored vest or jacket with white or black plate turns in inducing to tip, not heard dialogue about the shooting in the North African countries as they never stopped being at war with each other and they each other, or on the Forbes list or risk rating agencies - eh? - or the reform of the savings that you have their money in good hands, with banks of all life, even in the case of public employees is for thirteen or fourteen. If anything is spoken, in passing, and apropos of nothing, as not to give greater importance to the issue, what face is life, the number of Chinese and foreign, are going to invade us, how bad do some and shouted the little things clear the other, or as frivolous, can be trying to remember the name of the designer drunk and link with the evil that is television, where, incidentally, you've seen the pictures of the presenter that a snake bit him in the chest and dies, the snake, not the girl, is that silica, which was operated, had grown in size, the girl, of course. Case. Because they are a favorite topic and their families: daughter's trip to Bali, how well things are going to the brothers how important today is that small go to a bilingual school and to study another language output in a good school, and computers-or computer, it will be said, as the age of the coterie. In short, kill time and drink coffee with milk or sugar cane with lemonade, good company and knowing that they are full of reason. As when they bought a house in the mountain knowing that they would lose interest and prices much less so. And get up, tired of breathing smoke a few, because they do not smoke. They belong to another class. And they go thinking that instead of banning both, might retire once and for all packets of snuff from tobacconists. No cigars, which are for weddings and when men come together, and the pipe snuff either, that smells good.
And so, between the little shame and no complex, his eyes settling on the windows of stores tomorrow visit, walk towards the horizon waiting for spring to arrive. And with it, to sit on the terraces without fear of the dangers that helps the darkness of night made them take refuge in early hours after his two-round locks.

Terrace on the boulevard, Zandomeneghi

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+ OF FILMS: 1090 - The cheat

Just two years after its debut film, Cecil DeMille Kariya signed his first masterpiece: The cheat (The mark of fire, 1915). By then his name had already appeared in more than two dozen titles and although this was announced it was his producer, no one doubted his hand in the direction: the produced by encompassed the total control of the work.
With the seal of Jesse L. Lasky for Paramount and relying once again on the operator Alvin Wycloff, DeMille, always concerned about the strength of a script that would make effective progress the story and the application of appropriate technical resources, structured the book into four parts. Following the presentation the trio: Haka Arakau (Sesue Hayakawa), a Burmese ivory king introduced in New York society-in the original version, and until 1918, it was a Japanese colleague called Hisuhru Tori, but the insistence of Japan's colony settled California and the WWI military alliance forced the change, and marriage Hardy, Richard (Jack Dean) , broker and Edith (Fannie Ward), see under the heading butterfly, and wife is a vacant, wayward and capricious woman who is dedicated to spend on clothes and holiday money her husband earns in the market as investment and misuses of a major amount a distinguished ladies group has collected to give to the Red Cross (in Europe is fighting the Great War ) and entrusted to his care. Frightened by the impending deadline of the shell and without resources, the husband conceals the truth and seeks help from his friend Arakau, who sees an opportunity to calm her, crouched long, lustful desire. Graced by luck, sorry to see Edith goes to the lender, but the sexual voracity leads the trader to be tagged with the same burning seal stamped on the basis of their prized decorative figures. It Deception, to be followed The trial and verdict , where the scandal made public and will clarify the facts and the authorship of the shots that suffers the eastern in its dispute with the beautiful Edith, a woman who carries more than a few deadly sins.
The result was so successful that The cheat reached in 1921 the privilege of being the first film become opera Fortaiture , Camille Erlanger. His fame was based on a f antásticas interpretations, especially those of Fannie Ward, a star, makes it clear that his name precedes the title of the film in letters of similar body, direct look at us in the box presentation and their whims while filming wearing dresses-ask expensive and exclusive; despised maquiladoras not pleasant-and Sesue Hayakawa, who became the most admired exotic male beauty in films until the arrival of Rudolph Valentino Italian, and the narrative agility lesson and use of DeMille light, paragraph relevant today even in the ribbons. And that is expressive lighting, Rembrandt , alibi at the expense of the Dutch artist wielding a convenience to gain public consistent in uniform and reduce the lighting level by black curtains and reflectors, the use of direct beams faces, leaving shadowy environment, which impacted on the psychological aspect of the characters and the nature of the facts, was a technique that had proven The Warrens of Virginia (1915) and reached a prodigious debugging here, as evidenced by the fantastic play of shadows on the walls of rice paper artist's studio.
few years after this advice demonic images of the danger which contained all the foreign attraction, extremely sexual, which is The cheat , drama about the impossibility of understanding between the different-we are in year the famous The birth of a nation (The Birth of a Nation, 1915), realistic work and xenophobic Griffith, Cecil B. DeMille would separate the Red Sea in The Ten Commandments (The Ten Commandments, 1923). Made repeated, this time in Technicolor , sound, and, yes, actor Charlton Heston, in his farewell title: The ten commandents (The Ten Commandments, 1956), thus surpassing the very Moses. And if there are questions of biblical proportions of the work of the director, enough fifty-nine minutes The cheat , one of the first steps of the tower of Babel called Hollywood.

The Cheat (The mark of fire, 1915)

In the book 1001 movies you must see before you die (Editorial Grijalbo) detail 1 title CB DeMille: The Ten Commandments (The Ten Commandments, 1956).

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CREATIVE Or fear of being wrong (ROBINSON REPORT)

Ken Robinson, Sir since 2003, is a reputed consultant and British essayist is dedicated to giving lectures around the world commenting on the main mistake of the current educational system: the zero weight of creativity in teaching. And is that the training structure prepares you for a future that is not even remotely similar to the day you receive the information, or you can imagine: just close your eyes to remember how they were our childhood days, how imagine the XXI century, if you go to 2005, the result does not fail to be troubled. The teaching methodology is based on an outdated, obsolete, full of gaps and sometimes cause irreversible trauma. In the classroom, in college, everything is literacy and cut your wings.
The following video, divided into 2 parts and subtitled in Castilian, is his speech at the conference's 2006 TED (Technology, Education and Design), an annual event featuring the best exponents of the art that moves world: the idea. In a fair world, the most precious gift.

popular and entertaining speaker, much admired and loved by attending such events, Ken Robinson drag problems suffered polio at age four . His lectures and books, intelligible than the average citizen, are full of references to all known names, including The Beatles, as one would expect of someone who was born in Liverpool. 4 March, 1950, which meets tomorrow makes an enviable 61 years. Congratulations, and take your head foot to many places. And if not can they, quiet, that's what the www.

Ken Robinson, RSAnimate