+ DE 1001 FILMS: 1092 - A Bronx Tale
Sunday, March 20, 2011
Anorexanorexia Before And After
Chazz Palminteri wrote his autobiography youth in order to interpret it in theaters only, changing voices and gestures to interpret as a or other of the 18 characters. Released in 1989 in the Off-Broadway, the actor Robert De Niro then realized that the story is a classic tale of initiation and respect, was crying to be brought to the screen, with the changes and adaptations to, of course. Believing the time has come also to show that something was learned in rectangular side of the lens, it became strong enough to undertake his directorial debut. Palminteri, although admirer of the applicant, he would agree if I could rewrite the script and set aside the role of Sonny hard. The fact seemed so attractive, and insurmountable, De Niro finally access, crossing the line well its popular stereotype: that of a man of strong convictions complicated and bordering the law. The film titled, A Bronx Tale (A Bronx Tale, 1993), made it clear the good eye, and pulse, De Niro and Palminteri's acting ability, which would end up engaging in location scouting, casting (among his achievements, he found Danny to be interpreted Montanaro himself as the jinx that was, and the first day of shooting ... it rained!) and subsequent assembly. Divided into two parts, the first located in 1960, we see Calogero Anello (Francis Capra), a 9 year old kid who lives in Fordham, Italian-American stronghold in the Bronx New York, between honesty and pride inculcated his father Lorenzo (De Niro), local bus driver, the relative happiness of her mother, Rosina (Kathrine Narducci), the rogueries of his gang and fascination with the figure of the god dressed Sonny (Palminteri) always surrounded by secrets and shady deals in the corner bar, more feared than loved by his court of criminal helpful. When young Calogero one day becomes the only witness to a murder in cold blood, it's time to prove their loyalty to the men of the neighborhood, do something good, even for a bad man. Under the auspices of Sonny, despite the opposition of the honored father, the small end up becoming the errand boy, watching the shortened its name to C makes it grow. In 1968, the second part of the film, Calogero (Lillo Brancato now, another admirer of the director and wart like sores), moves between parental advice and paternalism, the boxing events and betting at the racetrack, loyalty to friends and confusion to find in one of the regular bus routes in accompanying his father, Jane Williams (Taral Hicks), a tall, beautiful, classy, \u200b\u200bbut black, therefore taboo. Nobody has explained that it is difficult to be a saint in the city, so any advice you receive about how to address the future will be welcome, come on it will go. As the car to test to be submitted to Jane, as Sonny tells a Machiavellian prince who finds it hard to be confident.
If the letter, the environment, to tie in A Bronx Tale with Angels with dirty face (Angels with dirty faces, 1938), Michael Curtiz, and Godfellas (Goodfellas, 1990), the master Scorsese, is this the most clearly visible, as evidenced by the attacks background of sudden violence courtesy of The Beatles, The Moody Blues and The Jimi Hendrix Experience, in some cases, an anachronistic, but blessed, election-Latino descent of almost all the cast, although it should be noted that when Godfellas opened and filled the roles of the play, "the obvious references to Catholic and human bonds - the disappearance of the mother in the second part is a absence of death, possible, or failing marriage, unlikely, or a deliberate emphasis on no interference of women in the world of men? With its perfect and idyllic recreation of the 1960's in the streets of northern The Big Apple, where the voices of doo-wop were swept by a wave of change and confusion, tells the timeless story of how Love took the stream to another guy with all tickets not get to enjoy their old age and does so with strength. With the same moving towards an ending as inevitable (death) and unpredictable (the trigger for the tragedy). And though the end may seem unflattering (the actor who is unmasked entre las flores lo hemos visto tantas veces lleno de ira que nos llena de pavor), hay una luz en la ventana que nunca se apagará (como se trata de la propia vida de Palmenteri, de verdadero nombre Calogero Lorenzo, ya sabemos el resultado: no malgastó su talento).
Robert De Niro, uno de los nombres más grandes en la historia del cine, lograba la matrícula de honor a las primeras de cambio, la misma calificación que obtendría Chazz Palmenteri, quién todavía hoy sigue contando en los escenarios A Bronx tale , los recuerdos de sus primeros años, la memoria de un barrio, de un tiempo de peligros, en el que los adultos did not trust young people and those who were not members of their community. And of course it's a gangster movie: if some did not see it because it was so fixed, fixing, in the name appearing, and appears at the first sign: high-minded a Milanese called Berlusconi. One of their own.
A Bronx Tale (A Bronx Tale, 1993)
In the book 1001 movies to be See Before You Die (Editorial Grijalbo) no details titles R. De Niro.
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